Fox at Chaisson


By D. Eric Bookhardt 

December 11, 2011

Stamina in the Dream House: Paintings by Elizabeth Fox

Martine Chaisson Gallery, New Orleans


Intenions of a Shadow

4:30, Friday

When painter Elizabeth Fox lived here years ago, she worked in an office and observed corporate social behavior with the eye of anthropologist. She saw how products are marketed and how sleekly attractive employees become social commodities. Here her edges were softened by Nola's innate baroque funk, but when she landed in Maine after Katrina, her figures inexplicably assumed a kind of California cool, as if Barbie and Ken had grown up to become corporate publicists in Hollywood. This is expressed in 4:30 FRIDAY, above, a visionary mannerist painting of three male success objects exiting an elevator into a reception room occupied by two efficiently sleek female executive-secretary sex objects. Coexisting with memos and flow charts are the manicured primal urges and pertly nuanced gestures that comprise the workaday rituals of our time. In REVOLVING DOOR, similar figures pass in as if in a trance, but the profile portrait LIZ IN THE WIND, right, epitomizes the flawlessness of a 21st century Venus-- the masterpiece of a veritable Botticelli of plastic surgery, as eternal as the tepid sea lapping the listless shore in the background.


STAMINA IN THE DREAM HOUSE: Recent Oil paintings and sculpture by Elizabeth Fox, through Jan. 28, Martine Chaisson Gallery, New Orleans


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